Posted in #Anthology

Portland Noir

Explore the dark, rainy underbelly of one of America’s most beautiful but enigmatic cities.

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Gigi Little, Justin Hocking, Christopher Bolton, Jess Walter, Monica Drake, Jamie S. Rich (illustrated by Joëlle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.

From the introduction by Kevin Sampsell:

“Settled in 1843 and named by a coin flip (we were almost named Boston), Portland had troubles from the start. The first sheriff, William Johnson, was busted for selling ‘ardent spirits.’ He had been ‘reduced by an evil heart,’ said the indictment. The first couple of decades were probably pretty rough, what with the constant flooding and muddy streets making all the citizens cranky . . . Later, in the 1940s and ’50s, the city practically thrived on criminal activity. Speakeasies, brothels, and gambling dens popped up across the downtown area . . . Portland became known as quite the decadent town, even prompting Bobby Kennedy to wrangle up its main bad guys for a televised Racketeering Committee meeting in 1957. One senator said at the hearings, ‘If I lived there, I would suggest they pull the flags down to half-mast in public shame.’

A lot of these places of ‘shame’ remain standing, and while many are occupied now by salons and offices, some of them are probably still home to gambling and stripping. (Portland does, after all, have more strip clubs per capita than any other city in America—and yep, they take it all off here.) . . . Portland continues to update its own version of a contemporary utopian society as more and more people flock here. But even in utopia, crime and unrest are always bubbling right under the surface.”


Ed Battistella

5 out of 5 stars

Gritty Portland

Reviewed in the United States on July 4, 2014

Format: Paperback

In Portland Noir, editor Kevin Sampsell takes us through the Rose City’s wilted flowers with 16 stories by Oregonians including one illustrated story and another set in Powell’s City of Books. Some of my favorite Oregon writers were represented including Bill Cameron, Flood Skloot, Karen Karbo and Monica Drake, and I was introduced to some new-to-me folks—like Gigi Little, Justin Hocking, Zoe Trope, and Luciana Lopez. Great crime fiction, gritty local color, an edge depiction of the seamy side of present dya Portland and a fine tribute to Portland’s noirish history.

Posted in #BookTours

Dark Ugly Places


Some wounds don’t heal. They take over.

A Beverly Hills psychological thriller about grief, female rage, fractured identity, and revenge.


Dark Ugly Places

by Ashley Mansour

Genre: Psychological Thriller, Domestic Suspense



Some wounds don’t heal. They fester. They whisper. They take over.

In Dark Ugly Places, trauma isn’t something you survive — it’s something that survives you.

Thirty-four-year-old Nicola Holiday loses everything in a hit-and-run: her husband dead, her body broken, her fourteen-year-old daughter Emmy forever changed. With no one held accountable, she spirals into grief, panic attacks, and financial ruin — awakening a hereditary darkness she’s spent her life trying to outrun.

That darkness has a voice now. Her name is Martha, and she aches for revenge.

As Nicola’s grip on reality loosens, Martha slips into another life — one of wealth, glamour, and moral rot. When she crosses paths with the wife of a famous actor, Nicola’s suspicions ignite.

Pulled between vengeance and annihilation, Nicola and Martha collide with a woman whose secrets may be the key to everything — or the thing that destroys them both.

Dark, provocative, and deeply unsettling — a haunting psychological portrait of female rage, obsession, and the terrifying lengths the mind will go to survive unbearable pain.

Because sometimes the most dangerous place isn’t the past. It’s inside your own head.

 

“A suspenseful and relentless tale of troubled Californians.”

– Kirkus Reviews

 

“A tense, viciously readable psychological thriller about the violence that lurks beneath polished surfaces.”

 – BookLife Reviews

 

“With fast-paced thrills and gripping psychological drama, Ashley Mansour’s Dark Ugly Places serves up vengeance for morally complex characters.” – Indiereader

 

**Releases September 15 – PreOrder Now!**

Amazon * Author’s Site * Apple * B&N * Google * Kobo * Bookshop.org * Bookbub * Goodreads

 



PROLOGUE

No one likes to be kept in the dark.

In the dark, everything is murky, even the Los Angeles sky.

But the day of Nicola’s accident, I had a pretty clear view of things. It tends to be that way—clear—when Nicola isn’t.

Nicola, Ben, and their daughter, Emmy, were walking holding hands, something the three of them hadn’t done since Emmy was a little kid. I felt the itch in Nicola’s palm, like she didn’t want to hold hands. But Emmy insisted. She was between them, arms outstretched, making that little humming sound she sometimes made when she was nervous or lost in thought. Ben walked on slightly ahead, his head down, eyes focused on the phone in his hand. I could almost hear his teeth grinding.

Up ahead, the road was clear. The sun covered everything in butter-yellow light. Crows perched in the bare-barked trees and made long, scratchy cries like a group of smokers laughing. They rustled leaves and crossed the pavement before them. But the trees were still, like the air had been sucked out of the city. Up ahead, the road was clear.

The three of them approached the corner, Emmy and Nicola chatting aimlessly. Ben narrowed his eyes and squinted at the screen as if the sky was too bright. He stepped out into the road first. Emmy, next. She skipped slightly—braids flying—and pulled her mom’s arm.

Nicola looked up and saw one of the crows overhead, its beak open, making a dreadful sound. When she looked back at the road, her gut pinged with a horrible dread she couldn’t place.

Then she—we—saw it.

From the middle distance, something large and hurtled into view, its body glinting in the sun. Emmy screamed. Nicola tried to pull her back, but one by one, her fingers slipped out of her grasp.

It was too late.

Nicola’s body collided with the big, thing, and in the next moment, she was airborne, tumbling through the air as if she had been taken by a tornado. Her thoughts spiraled with her, spinning out of control.

I’m going to die.

I’m going to live.

Don’t let me die.

I’m going to die.

She kept spiraling, around and around, until I stopped her with a simple suggestion: Breathe, Nicola. Breathe. We have this power, those of us who live in the darkness.

The asphalt grated her spine. It must have hurt, but Nicola did not cry. Perhaps because the air was too full of Emmy’s screams.

She rolled to her left, her left arm pinned against her chest like a piece of limp fabric. Her left leg lay stretched out before her perfectly straight, but dead. Cold. Frozen in place. She rolled to her side and saw Emmy, blood coating half of her face as though she were wearing a mask. Five feet away, Ben lay in the road unmoving, his body contorted, his face turned away.

Overhead, the stretch of blue sky angled down Beverly Boulevard and went on forever. Cars passed, some honking, others slowing to stop and help or to get a better look. Nicola grunted and heaved herself along the ground, her jaw gritting with pain. She reached for Emmy, reached for Ben.

The body of the car stirred. A door opened. A black polished shoe emerged onto the asphalt as the driver leaned out, then disappeared again as the door shut. I heard the engine as the car started and rolled backwards, slow at first, then picking up speed until it was gone.

 



Ashley Mansour writes dark, cinematic psychological suspense and domestic suspense about dangerous relationships, buried truths, and the chaos waiting beneath the surface of ordinary lives.

Posted in #Anthology

Rome Noir

Rome provides a fertile setting for this groundbreaking collection of original stories, which look beyond the tourist façade to the eerie grandeur and rich decadence of this ever-fascinating metropolis.

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Antonio Scurati, Carlo Lucarelli, Gianrico Carofiglio, Diego De Silva, Giuseppe Genna, Marcello Fois, C.D. Formetta, Enrico Franceschini, Boosta, Francesca Mazzucato, Maxim Jakubowski, Evelina Santangelo, Nicola Lagioia, Tommaso Pincio, Antonio Pascale, and Nicoletta Vallorani.

From the introduction by Chiara Stangalino & Maxim Jakubowski:

“According to the legend, Rome owes its origins to a murder—when one brother killed another in order to grab the crown. Since then, there has been a dark tapestry of misdeeds, plots, and assassinations alongside some of the cruelest crimes in the history of mankind, beginning with Nero and Caligula, all through myriad bloody Vatican intrigues, wars by the handful, urban terrorism, and the arcane modern collusions between politics and the Mafia . . .

Next time you are visiting Italy, enjoy your tourist pursuits but on occasion pause for a moment and try to see what lies beyond the corner of the alley or street you are walking down, or attempt to imagine what might be happening behind those closed curtains you are passing. But until then, let your imagination take a dip into Rome Noir, and travel the city from its trunk roads to its highways, past the notorious Stazione Termini and the shadow of the iconic Colosseum, and through both the fashionable and sometimes undesirable areas that have inspired our writers.”

Posted in #Anthology

San Francisco Noir 2

Dashiell Hammett and William Vollmann are just two treats in this stellar sequel to the smash-hit original volume of San Francisco Noir, which captures the dark mythology of a world-class locale.

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Featuring stories by: Ambrose Bierce, Frank Norris, Mark Twain, Jack London, Dashiell Hammett, Fletcher Flora, Bill Pronzini, Joe Gores, Don Herron, Ernest J. Gaines, Marcia Muller, Oscar Peñaranda, Janet Dawson, Seth Morgan, Craig Clevenger, William T. Vollmann, and John Shirley.

From the introduction by Peter Maravelis:

“San Francisco is a town made for noir. Long before Hammett’s muse seduced him with fog and mist to pen The Maltese Falcon, European explorers and Christian missionaries had already laid the groundwork for the genre. Just ask the Ohlone indigenous peoples. The city’s history is a shadowy one. It is founded upon the spilling of blood . . .

With the release of the first volume of San Francisco Noir, we brought together a team of seasoned writers to compose original works that gave the reader a sinister sense of the city. The success of that volume was encouraging and we have returned with a new task at hand: to present a collection of classic reprints, some hitherto buried by the passage of time, which depict a town riddled by inequity from its very beginnings . . .

We see San Francisco reflected in these tales. A city haunted by the specters of its past—a past that is quickly fleeting, leaving little trace as it disappears into oblivion. Perhaps the final vestiges of this town will someday be found in this handy little volume of pulp. Enjoy it while you can, before it, too, returns to dust.“

Posted in #Anthology

Istanbul Noir

Istanbul Noir presents stories from a city at once ancient and modern, Asian and European, postcard-perfect and simmering with rage.

“Istanbul straddles the divide of Europe and Asia, and its polyglot population of 12 million seethes with political, religious, and sexual tensions, as shown in the 16 stories in this strong entry in Akashic’s noir anthology series . . . a welcome complement to the mostly historical mysteries set in Istanbul.” —Publishers Weekly

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Müge Iplikçi, Behçet Çelik, Ismail Güzelsoy, Lydia Lunch, Hikmet Hükümenoglu, Riza Kiraç, Sadik Yemni, Baris Müstecaplioglu, Yasemin Aydinoglu, Feryal Tilmaç, Mehmet Bilâl, Inan Çetin, Mustafa Ziyalan, Jessica Lutz, Tarkan Barlas, and Algan Sezgintüredi.

From the introduction by Mustafa Ziyalan & Amy Spangler:

“As submissions for Istanbul Noir started to come in, it became increasingly clear to us that what was taking shape was not just some collection of dark stories set in old Stamboul, but a rich portrait of the city itself—or, at the very least, a particularly revealing series of snapshots. Mind you, it is a city shaped largely by the often vicious ebb and tide of the nation’s politics. Although Ankara may be the capital of the Republic of Turkey, the truth of the matter is, with a good twelve million people and thus a fifth of its population, Istanbul is the throbbing, often bleeding, heart of the country’s politics. And it shows . . .

Lying at the crossroads of East and West, Istanbul belongs to neither and to both, and it is precisely this elusive in-betweenness upon which the city thrives. No matter how much blood is spilled trying to conform to Western standards, they just don’t stick in this slippery city. Here, you don’t break the rules, you forge a loophole through them . . . A den of sin and a bastion of virtue, Istanbul is a fog-covered playground of power and resistance, denial and repression, and if you don’t know the tricks of the game, you’ll likely feel the urge to abandon your marbles and go.”

Editorial Reviews

From Booklist

At the crossroads between East and West, Constantinople (now Istanbul) has been a seething melting pot of cultures for centuries. The stories collected here are set up and down both banks of the Bosporus. The authors do an excellent job introducing readers to a city unknown to many American readers, exploring the many issues of religion and culture that face modern Istanbul. Landscape is essential to these stories, all of which convince the reader that they couldn’t possibly have been set anywhere other than Istanbul. Recommend the collection to fans of Mehmet Murat Somer’s Prophet Murders (2008), also set in contemporary Istanbul. –Jessica Moyer

Review

“The authors do an excellent job introducing readers to a city unknown to many American readers, exploring the many issues of religion and culture that face modern Istanbul. Landscape is essential to these stories, all of which convince the reader that they couldn’t possibly have been set anywhere other than Istanbul.”
― Booklist

About the Author

MUSTAFA ZIYALAN was born in Zonguldak, on the Black Sea coast of Turkey. He worked as a general practitioner and coroner in a rural Anatolian village, and now lives and practices psychiatry in Brooklyn, NY. His poetry, short fiction, and essays have appeared in many literary periodicals, anthologies, and in book form. He is the author of the poetry book Kizil Kanca Siirleri, Yakilacak Kentlerden, a collection of travel writing and essays, and Su Kedileri, a collection of short fiction. He is the coeditor of Istanbul Noir.