Tag: #Suspense

This much-anticipated and long-overdue installment in Akashic’s Noir Series reveals many sides of Atlanta only known to its residents.

“Atlanta has its share, maybe more than its share, of prosperity. But wealth is no safeguard against peril . . . Creepy as well as dark, grim in outlook . . . Hints of the supernatural may make these tales . . . appealing to lovers of ghost stories.” —Kirkus Reviews

Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. This much-anticipated and long-overdue installment in Akashic’s Noir Series reveals many sides of Atlanta known only to its residents.

Brand-new stories by: Tananarive Due, Kenji Jasper, Tayari Jones, Dallas Hudgens, Jim Grimsley, Brandon Massey, Jennifer Harlow, Sheri Joseph, Alesia Parker, Gillian Royes, Anthony Grooms, John Holman, Daniel Black, and David James Poissant.

From the introduction by Tayari Jones:

Atlanta itself is a crime scene. After all, Georgia was founded as a de facto penal colony and in 1864, Sherman burned the city to the ground. We might argue about whether the arson was the crime or the response to the crime, but this is indisputable: Atlanta is a city sewn from the ashes and everything that grows here is at once fertilized and corrupted by the past . . .

These stories do not necessarily conform to the traditional expectations of noir . . . However, they all share the quality of exposing the rot underneath the scent of magnolia and pine. Noir, in my opinion, is more a question of tone than content. The moral universe of the story is as significant as the physical space. Noir is a realm where the good guys seldom win; perhaps they hardly exist at all. Few bad deeds go unrewarded, and good intentions are not the road to hell, but are hell itself . . . Welcome to Atlanta Noir. Come sit on the veranda, or the terrace of a high-rise condo. Pour yourself a glass of sweet tea, and fortify it with a slug of bourbon. Put your feet up. Enjoy these stories, and watch your back.

Editorial Reviews

Review

“The stories in Atlanta Noir are connected, as Jones suggests in her introduction . . . In particular, the ‘rot’ these narratives expose are specifically Atlanta versions of gentrification, the suburbs, traffic, and inequality. At their best, the stories reveal and complicate a post–civil rights, but far from post-racial, Atlanta . . . This collection is noteworthy in terms of its multiple contemporary literary representations of our city, particularly considering the general lack of them otherwise.”
― Atlanta Studies

“These stories, most of them by relative unknowns, offer plenty of human interest . . . All the tales have a Southern feel.”
― Publishers Weekly

“Now comes Atlanta Noir, an anthology that masterfully blends a chorus of voices, both familiar and new, from every corner of Atlanta . . . The magic of Atlanta Noir is readily apparent, starting with the introduction Jones pens. It doesn’t rest solely upon the breadth of writers but on how their words, stories and references are so Atlanta―so very particular, so very familiar and so very readily, for those who know the city, nostalgic. And for those who don’t? The sense of place it captures inspires a desire to get to know Atlanta and its stories.”
― ArtsATL

“Atlanta is one of America’s most dynamic and fastest growing cities, with an increasingly diverse population. This volume honors the city’s transformation―albeit in a chilling manner―with a highly talented crew of 14 respected contributors who know the city inside and out, from its souls to its heart . . . Once again, Akashic shows us why it is king of noir and especially anthologies with such high-quality writers and storytellers. We’ve waited long for this beautiful collection of all things dark and murderous, but the wait was well worth it. Atlanta Noir could well turn out to be Akashic’s best work to date.”
― New York Journal of Books

About the Author

TAYARI JONES was born and raised in southwest Atlanta. A graduate of Spelman College, she is the author of four novels, including Silver Sparrow, an NEA Big Read selection, and An American Marriage, which was an Oprah Book Club Selection. She is the editor of Atlanta Noir.

Puerto Rico’s capital city enters the Noir Series arena, meticulously edited by one of San Juan’s best-known authors.

“A welcomed addition to the publisher’s popular noir series, San Juan Noir has the distinction of being issued in two editions, English and Spanish, to more accurately reflect the Caribbean island’s bilingual culture. Editor Santos-Febres gathers a varied collection of stories she expects will ‘reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconception.'” —NBC News Latino

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Wilfredo J. Burgos Matos, Ernesto Quiñonez, Mayra Santos-Febres, José Rabelo, Luis Negrón, Yolanda Arroyo Pizarro, Ana María Fuster Lavín, Janette Becerra, Manolo Núñez Negrón, Tere Dávila, Edmaris Carazo, Alejandro Álvarez Nieves, Charlie Vázquez, and Manuel A. Meléndez. Translated by Will Vanderhyden.

From the introduction by Mayra Santos-Febres:

“Puerto Rico is often portrayed as sandy beaches, casinos, luxury hotels, relaxation, and never-ending pleasure—a place that satisfies all senses and appetites.

Yet the city of San Juan is much more than that. The capital of the Commonwealth of Puerto Rico is the oldest Spanish settlement in all the territories and colonies of the United States. Since Puerto Rico is economically dependent on the US, the financial downturn of 2008 hit us hard. Many Puerto Ricans have left the island, looking for a better life. Crime has risen and the black market has thrived. As in many crises, art, music, and literature have also flourished. Never before has there been so much literary production. We have responded to our crisis with many stories to tell. And, especially in these times, many of those stories are noir . . .

I hope these stories spark your imagination, and reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconceptions. Maybe it will also pique your curiosity, and you will come visit our ‘pearl of the Caribbean.'”

Editorial Reviews

Review

“The stories within San Juan Noir stare right into the face of colonialism as they examine the gaps between the city’s rich and its poor, its residents and its constant flow of tourists, its colorful exterior and its gritty underbelly. This is noir with a bite, noir that enthralls with its dark tales even as it challenges the reader―do better, do better, do better.”
― Literary Hub

“San Juan Noir is a brilliantly polished literary gem that showcases life on the fringes of society. Every tale glows in its own darkness, piercingly tugging at the remnants of human decency. We must do better, it screams. Yes, we must. Highly recommended.”
― Jamaica Gleaner

“Santos-Febres and 13 other contributors of Puerto Rican heritage take full advantage of San Juan’s wide range of disparities between rich and poor, weak and powerful, tourists and residents, in this fine addition to Akashic’s noir anthology series.”
― Publishers Weekly

About the Author

MAYRA SANTOS-FEBRES has published more than twenty-five books of poetry, short stories, essay collections, and novels. Among her most import titles are Sirena Selena (2000), Our Lady of the Night (2006), and La amante de Gardel (2015). Her works have been translated into Croatian, Icelandic, French, Italian, German, and English. She currently teaches creative writing at the University of Puerto Rico, and is one of the main organizers of Festival de la Palabra. She is the editor of San Juan Noir (also available in Spanish).

This anthology of Mississippi crime fiction “has produced a unique, delicious flavor of noir” with stories by Ace Atkins, Megan Abott and more (New York Daily News).
 
From poverty to state corruption, Mississippi has a well-deserved reputation for trouble. Could there be a connection between its many misfortunes and its rich literary legacy? Mississippians from Tennessee Williams and Eudora Welty to Richard Ford and John Grisham certainly know how to tell a good story. Now Mississippi Noir offers “a devilishly wrought introduction” to a new generation of “writers with a feel for Mississippi who are pursuing lonely, haunting paths of the imagination” (Associated Press).
 
Mississippi Noir includes brand-new stories by Ace Atkins, William Boyle, Megan Abbott, Jack Pendarvis, Dominiqua Dickey, Michael Kardos, Jamie Paige, Jimmy Cajoleas, Chris Offutt, Michael Farris Smith, Andrew Paul, Lee Durkee, Robert Busby, John M. Floyd, RaShell R. Smith-Spears, and Mary Miller.

Editorial Reviews

Review

“But in Mississippi, darkness falls on both sides of the tracks. And that’s what makes this particular anthology, one of many ‘Noirs’ published by Akashic Books, so unnerving. These could be your neighbors.”
― Sun Herald

“Maybe it’s the oppressive heat and humidity, or maybe it’s the high rates of poverty, crime and corruption that plague this southern state. Whatever the reason, Mississippi is the perfect setting for a good noir story . . . [The Noir series] is adept at finding the dark underbelly of cities big and small, but it has produced a unique, delicious flavor of noir fiction with this Mississippi installment.”
― New York Daily News

“Mississippi, as Franklin notes in his introduction, has the most corrupt government, the highest rate of various preventable ills, and the highest poverty rate in the country. In short, the state is a natural backdrop for noir fiction. The 16 stories . . . emerge from a cauldron of sex, race, ignorance, poverty, bigotry, misunderstanding, and sheer misfortune.”
― Publishers Weekly

“Mississippi is the perfect setting for the latest volume in Akashic’s long-running noir series . . . The most memorable pieces take the definition of noir beyond the expected: William Boyle’s ‘Most Things Haven’t Worked Out’ is reminiscent of the gothic fatalism in Flannery O’Connor’s stories, while Michael Kardos’s ‘Digits,’ about a writing teacher whose students come to class with fewer and fewer fingers, veers into Shirley Jackson territory.”
― Library Journal

“In these stories, from Biloxi to Hattiesburg, from Jackson to Oxford, the various crimes of the heart or doomed deeds of fractured households are carried out in real Mississippi locales . . . [A] devilishly wrought introduction to writers with a feel for Mississippi who are pursuing lonely, haunting paths of the imagination.”
― Associated Press

About the Author

Tom Franklin is the author of Poachers: Stories and three novels, Hell at the Breech, Smonk, and Crooked Letter, Crooked Letter, which won the Los Angeles Times Book Prize for Mystery/Thriller, the Willie Morris Prize in Southern Fiction, and the UK’s Gold Dagger Award for Best Novel. His latest novel, The Tilted World, was cowritten with his wife, Beth Ann Fennelly. They live in Oxford, Mississippi, where they teach in the University of Mississippi’s MFA program.

Nelson Algren, Richard Wright, and Patricia Highsmith are just three of the iconic authors included in this outstanding volume.

“In this superior entry in Akashic’s noir series, Meno offers nearly a century of Chicago crime fiction. . . . Familiar bylines abound: Max Allan Collins, Richard Wright, Nelson Algren, Sherwood Anderson, Fredric Brown, Patricia Highsmith (with an excerpt from her novel The Price of Salt), Stewart M. Kaminsky, Sara Paretsky. Others may be less familiar to mystery specialists, but all turn in impressive performances.” —Publishers Weekly, Starred Review
“Richard Wright, Nelson Algren, and Sandra Cisneros are not crime-fiction writers, and yet their Chicago certainly embodies the individual-crushing ethos endemic to noir. Meno also includes stories from writers who could easily have been overlooked (Percy Spurlark Parker, Hugh Holton) to ensure that diverse voices, and neighborhoods, are represented. Add in smart and essential choices from Fredric Brown, Sara Paretsky, and Stuart Kaminsky, and you have not an anthology not for crime-fiction purists, perhaps, but a thought-provoking document all the same.” —Booklist

Although Los Angeles may be considered the most quintessentially “noir” American city, this volume reveals that pound-for-pound, Chicago has historically been able to stand up to any other metropolis in the noir arena.
Classic reprints from: Harry Stephen Keeler, Sherwood Anderson, Max Allan Collins, Richard Wright, Nelson Algren, Fredric Brown, Patricia Highsmith, Barry Gifford, Stuart M. Kaminsky, Libby Fischer Hellmann, Sara Paretsky, Percy Spurlark Parker, Sandra Cisneros, Hugh Holton, and Stuart Dybek.
From the introduction by Joe Meno:
More corrupt than New York, less glamorous than LA, Chicago has more murders per capita than any other city its size. With its sleek skyscrapers bisecting the fading sky like an unspoken threat, Chicago is the closest metropolis to the mythical city of shadows as first described in the work of Chandler, Hammett, and Cain. Only in Chicago do instituted color lines offer generation after generation of poverty and violence, only in Chicago do the majority of governors do prison time, only in Chicago do the dead actually vote twice.
Chicago—more than the metropolis that gave the world Al Capone, the Saint Valentine’s Day Massacre, the death of John Dillinger, the crimes of Leopold and Loeb, the horrors of John Wayne Gacy, the unprecedented institutional corruption of so many recent public officials, more than the birthplace of Raymond Chandler—is a city of darkness. This darkness is not an act of over-imagination. It’s the unadulterated truth. It’s a pointed though necessary reminder of the grave tragedies of the past and the failed possibilities of the present. Fifty years in the future, I hope these stories are read only as fiction, as somewhat distant fantasy. Here’s hoping for some light.

Editorial Reviews

Review

“I’ve always enjoyed reading noir. Dark, ironic mysteries are a good read to me. Since this collection includes old classics as well as some new stories, I knew it would be good. . . . I wasn’t disappointed.”
― Journey of a Bookseller

“A worthy addition to the Akashic Books noir series.

“
― Book Chase

“The fifteen short stories comprising Chicago Noir: The Classics, which are knowledgeably compiled and deftly edited by Joe Meno, are true gems of the noir literary tradition. . . . Chicago Noir: The Classics is a consistently entertaining and will prove to be an enduringly popular addition to community library Mystery/Suspense collections.”
― Midwest Book Review

“Chicago Noir The Classics does everything anthologies and noir are supposed to, but this title achieves an unheralded goal that deserves notice. . . . This is wonderful diversity, coming both unexpected and unhearalded. Anthologies are supposed to convey a sense of having covered the territory, Joe Meno has. Ethnically diverse city, ethnically diverse plots. Better, Chicago Noir The Classics showcases diversity as normal, everyday. This adds inescapable satisfaction to a sense of the editor’s having covered the territory.”
― La Bloga

About the Author

JOE MENO is a fiction writer and journalist who lives in Chicago. Winner of the Nelson Algren Literary Award, a Pushcart Prize, and a finalist for the Story Prize, Meno is the best-selling author of several novels and short story collections including Marvel and a Wonder, The Great Perhaps, The Boy Detective Fails, and Hairstyles of the Damned; he also edited Chicago Noir: The Classics. He is a professor in the English and Creative Writing Department at Columbia College Chicago. Book of Extraordinary Tragedies is his latest work.