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Latin American noir at its finest. “[A] diverse collection of stories which reflect the harshness and also the brittle brilliance of life in Mexico City.”—MostlyFiction Book Reviews
 
Akashic Books’s acclaimed series of original noir anthologies has set a high standard for portraying cities and their neighborhoods in all their dark and violent splendor. Now, “Mexico City Noir surpasses that standard with phantasmagorical tales of double-dealing, corruption, violence and self-delusion . . . This collection is such a varied literary feast. Fans of Jorge Luis Borges will find surprises galore in the story ‘Violeta Isn’t Here Anymore.’ The noir-ish maze that Myriam Laurini constructs with her flair for the shifting realities of ‘magical realism’ is dazzling enough, and then up pops Borges . . .
“Peel back one layer and find something totally unexpected, these tales tell us again and again. As Eduardo Monteverde writes, ‘the heart of Mexico City is made of mud and green rocks, and the God of Rain continues to cry over the whole country.’ And standing on that ground, the 12 writers here find inspiration to die for” (Shelf Awareness).
 
This anthology includes brand-new stories by Paco Ignacio Taibo II, Eugenio Aguirre, Eduardo Antonio Parra, Bernardo Fernández Bef, Óscar de la Borbolla, Rolo Díez, Victor Luiz González, F.G. Haghenbeck, Juan Hernández Luna, Myriam Laurini, Eduardo Monteverde, and Julia Rodríguez.

Editorial Reviews

From Booklist

The latest entry in Akashic’s Noir series is centered on one of the largest and most violent cities in the world, Mexico City. For readers unfamiliar with Mexico City’s distinctive culture of crime and corruption, a short foreword by editor Taibo, himself a critically acclaimed crime novelist, provides background and sets the stage for the 12 stories. Set across Mexico City in a variety of neighborhoods, the stories feature a cast of characters as diverse as the city, from homeless people to young children to innocent passersby. This is a strong collection, both for the way it showcases outstanding short fiction in the noir style and for the way it demonstrates how a strong sense of place can drive a narrative. Contributors feature editor Taibo and an array of lesser-known but talented Mexican writers, including Eugenio Aguirre and Julia Rodriguez. Definitely one of the better entries in a sometimes uneven series. –Jessica Moyer

Review

“With volumes devoted to numerous US cities and quite a few foreign capitals, it sometimes seems as if Akashic Books’ expanding line of noir story anthologies will wind up covering virtually every major metropolis on earth . . . The warped humor here, especially in Taibo’s contribution about the struggle for the soul of an embattled street corner, is part of the survival mechanism of people who have seen too much of life at its worst but must keep laughing anyway.”
― San Francisco Bay Guardian

About the Author

Achy Obejas is the author of The Tower of the Antilles, the critically acclaimed novels Ruins and Days of Awe, and three other books of fiction. Her poetry chapbook, This Is What Happened in Our Other Life, was both a critical favorite and a bestseller. As a translator, she has worked with Junot Díaz, Wendy Guerra, Rita Indiana, and many others. In 2014 she received the USA Ford Fellowship from USA Artists for both her writing and her translations. She’s written for, among others, the New York Times, Vanity Fair, the Village Voice, In These Times, and the Chicago Tribune, where she was part of a 2001 Pulitzer Prize–winning team. Born in Havana, she currently resides in the San Francisco Bay Area.

Dennis Lehane steps up to the plate as editor and presents a scintillating collection of deep, dark fiction.

“Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed.” —New York Times Crime Fiction Column

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron.

From the introduction by Dennis Lehane:

“Boston is a city that produces guys—or, in the city’s vernacular, knuckleheads—who once stole the replica of a cow that sat in front of a Braintree steak house. The cow weighed what a car weighed, and yet these knuckleheads had the industry to get it onto a pickup truck, drive it back to South Boston, and deposit it in the middle of Broadway. They did this solely so they could then call the Boston Police Department and ask them to respond to a “beef going down on Broadway” . . .

So we have our distinct humor and our distinct accent and our distinct vocabulary. All of which—sadly, possibly—is now endangered by progress. Because one can’t ignore that Boston has been beset by a new class war of late, one you’ll see reflected in the stories herein. It’s a war of gentrification. As the city continues to lose its old-school parochialism and overt immigrant tribalism, it’s also losing a lot of its character. Whether that’s a bad thing or a good thing is up for debate, but what can’t be argued is that it is, in fact, happening . . .

That’s the paradox of the new Boston—what’s lost has, in many cases, been taken; what’s left is what people can’t sell. Noir is a genre of loss, of men and women unable to roll with the changing times, so the changing times instead roll over them . . .”

Editorial Reviews

From Booklist

The latest in Akashic’s noir anthologies focusing on specific cities—there have been more than 30 of them since the series’ inception in 2004—features 11 original stories, each set in a different Boston neighborhood. In his introduction, editor Lehane calls noir “working-class tragedy,” which is an apt description of these stories. A woman murders her boss over an oft-promised but never-delivered promotion; a man finds a dog in the garbage, adopts it, and winds up exacting punishment on the dog’s abusive former owner; a down-on-his-luck New York musician, forced by his wife to relocate to Boston, finds something very unusual to do to pass the time; a post–World War II private eye is hired by a beautiful woman whose hidden agenda has unexpected results. The stories, written by Lehane and a host of contributors (including Brendan DuBois, Stewart O’Nan, and Jim Fusilli), are uniformly solid, with characters, plots, and atmosphere that evoke the classic noirs of Cain, Woolrich, and Thompson. –David Pitt

Review

“Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys…[Lehane] writes persuasively of the gentrification that has…left people feeling crushed.” –New York Times, November 15, 2009

From the Publisher

A Boston Globe Bestseller!

From the Back Cover

Qui mieux que Lehane le Bostonien pouvait composer cette anthologie autour d’une ville qui inspira aussi George V. Higgins, l’auteur des Copains d’Eddie Coyle ? Pour en brosser un portrait riche et contrasté, onze nouvelles, chacune ancrée dans un quartier. Onze voix, parmi lesquelles celles de Stewart O’Nan, Brendan DuBois, et Dennis Lehane lui-même. Des sujets, des époques et des tons variés et pourtant, un point commun : des personnages proches de la rupture, qui ont tous commis ou vont commettre des actes extrêmes, poussés par les circonstances vers des zones obscures dont ils ne soupçonnaient pas toujours l’existence. Le résultat : des nouvelles conçues comme des romans en miniature et qui échappent aux clichés du genre. Comme l’écrit Lehane dans sa préface, le roman noir n’est pas un

About the Author

DENNIS LEHANE is the author of the Patrick Kenzie and Angela Gennaro mystery series (A Drink before the War; Darkness, Take My Hand; Sacred; Gone, Baby, Gone; Prayers for Rain; and Moonlight Mile), as well as Coronado (five stories and a play) and the award-winning novels Mystic River, Shutter Island, and The Given Day. Mystic River, Shutter Island, and Gone, Baby, Gone have been made into award-winning films. He is the editor of Boston Noir and coeditor of Boston Noir 2: The Classics.