High Couch of Silistra, first of the notorious Silistra Quartet, brings us to a realm where thought alters probability, where creativity is inextricably linked to the urge to own and dominate, and where the universe itself is amenable to a focused mind.
Rooted deeply in humanity’s mythic past yet unaware of the planet Earth, High Couch of Silistra begins one woman’s mythic quest for self-knowledge – with surprising results.
High Couch of Silistra
The Silistra Quartet Book 1
by Janet Morris
Genre: Dystopian Epic SciFi Fantasy Romance
Biology shapes reality…
One woman’s mythic search for self-realization in a distant tomorrow…
Her sensuality was at the core of her world, her quest beyond the civilized
stars.
Aristocrat. Outcast. Picara. Slave. Ruler.
“Engrossing characters in a marvelous adventure.” – Charles N. Brown,
Locus Magazine
“The amazing and erotic adventures of the most beautiful courtesan in
tomorrow’s universe”
– Frederik Pohl
“The best single example of prostitution used in fantasy is Janet Morris’
Silistra series… Estri’s character is most like that of Ishtar who describes
herself as “‘a prostitute compassionate am I'” because she
“symbolizes the creative submission to the demands of instinct, to the
chaos of nature …the free woman, as opposed to the domesticated woman”.
Linking Estri with these lunar and water symbols is not difficult because of
the moon’s eternal virginity (the strength of integrity) links with her changeability
(the prostitute’s switching of lovers). […]
Morris strengthens the moon imagery by having Estri as a well-keepress because wells, fountains, and the moon as the orb which controls water have long been associated with fertility, […] In a sense, she is like the moon because she is apparently eternal, never waxing or waning except in her pursuit of the quest; she is the prototypical wanderer like the moon and Ishtar. She is the eternal night symbol of the moon in opposition to the Day-Keepers […]
At her majority (her three hundredth birthday), she is given a silver-cubed hologram letter from her mother, containing a videotape of her conception by the savage bronzed barbarian god from another world. […] If Estri’s mother then acts as a bawd, willing her lineage as Well-Keepress to her daughter, then Estri’s great-grandmother Astria as foundress of the Well becomes a further mother-bawd figure when she offers her prophetic advice in her letter: “Guard Astria for you may lose it, and more. Beware of one who is not as he seems. Stray not in the port city of Baniev …look well about you, for your father’s daughter’s brother seeks you”. Having no brother that she knows of does not stay Estri from undertaking the heroic quest of finding her father.”
– Anne K. Kaler, The Picara: From Hera to Fantasy Heroine
I am Estri Hadrath diet Estrazi, former Well-Keepress of Astria on the planet Silistra. I have begun three times to tell this story, and three times I have been interrupted. This, then, the fourth attempt, will surely prove successful.
Perhaps you have heard of Silistra, the planet that was catalyst to the sexual revolution in the year twenty-two thousand, seven hundred and four Bipedal Federate Standard Time, or of the Silistran serums that lengthen life and restore vitality in virtually any bipedal life form, or perhaps you have at some time contracted the services of a Silistran telepath, or a precognitive, or a deep reader. It is possible that you have in your own home the scintillating, indestructible web-cloth woven by our domestic arachnids, or have seen holograms of our golachits, those intelligent builder-beetles who exude from their mouths a translucent, superhard substance called gol and create from this gol, under the guidance of the chit-guards, the formidable and resplendent structures in which we live and work.
And perhaps you have seen no web-cloth, no gol, never been ill, and are not interested in sex. If so, you may never have heard of Silistra.
I carry Silistra in my mind’s eye, here under this alien sun. In my mind alone can I look out the east window of my beloved exercise hall in Well Astria and see the sun’s rising burst upon the jewel-like towers and keeps of the Inner Well and a thousand rainbows arc and dance in the greening sky.
Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author’s Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.
Janet said: ‘People often ask what book to read first. I recommend “I, the Sun” if you like ancient history; “The Sacred Band,” a novel, if you like heroic fantasy; “Lawyers in Hell” if you like historical fantasy set in hell; “Outpassage” if you like hard science fiction; “High Couch of Silistra” if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author’s Cut editions, which I revised and expanded.’
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