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Wind From the Abyss


Aristocrat. Outcast. Picara. Slave. Ruler ….

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris’ classic Silistra Quartet, continuing one woman’s quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler …. She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris’ Silistra Quartet:

“The amazing and erotic adventures of the most beautiful courtesan in tomorrow’s universe.” — Fred Pohl

“Engrossing characters in a marvelous adventure.” — Charles N. Brown, Locus Magazine.

“The best single example of prostitution used in fantasy is Janet Morris’ Silistra series.” — Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author’s Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

“Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by “Khys’ Estri” (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys’ humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys’ puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen’s hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper’s city — and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . .”

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

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I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” I had seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





*Don’t miss the previous books in the series!**

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Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author’s Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: ‘People often ask what book to read first. I recommend “I, the Sun” if you like ancient history; “The Sacred Band,” a novel, if you like heroic fantasy; “Lawyers in Hell” if you like historical fantasy set in hell; “Outpassage” if you like hard science fiction; “High Couch of Silistra” if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author’s Cut editions, which I revised and expanded.’

 

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I’m a Mom, a Grandmom, and a Veteran. Nothing scares me! That’s the saying on my favorite T Shirt. I’m enjoying life too much to let the little things slow me down. If you can’t tell from my Avatar, I live in Florida where I enjoy the sunshine and endure the hurricanes with good grace. Sometimes you have to take the bad with the good!

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Abducted

Abducted
J.S. Ash
(The Beast’s Burden Chronicles, )
Publication date: February 22nd 2026
Genres: New Adult, Science Fiction, Young Adult

Trapped aboard a living spacecraft hidden above her hometown, a teenage outcast must wage a one-girl war against ruthless alien mercenaries to save her best friend before the ship jumps into deep space.

A SHIP FULL OF ALIENS TOOK HER BEST FRIEND. THEY SHOULD’VE LEFT HER ON EARTH.

Abigail Ashby was raised to be a weapon by a dad convinced the world was on the brink of collapse. Then, inexplicably, he forced her into early retirement—aka high school.

These days, Abigail’s only battle is defending Harris, her outcast best friend who swears his parents were abducted by aliens. She’s secretly sure he’s delusional—right up until his bedroom explodes in amethyst light.

They wake up aboard the Beast’s Burden, an interstellar warship lurking above their town. Its leader, a sadistic warlord, seizes Harris as his prize, while Abigail slips away in the chaos—overlooked, underestimated.

Until she kills an alien to survive.

Now, hunted through the ship’s living corridors, Abigail must decide: retreat into the shadows, or unleash the lethal training she buried to wage a one-girl war and save everything she’s ever known… Because Harris isn’t just a hostage. He’s the trigger for humanity’s extinction.

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EXCERPT:

“Wait—I’m sorry. Abigail, I didn’t mean that. Please don’t go.”

Abigail froze in her tracks, but it had nothing to do with Harris’s plea. An unearthly shriek had erupted, ricocheting endlessly around the room, and all the warmth had instantly drained from her body.

“What is that?” she asked, ice surging through her veins.

Harris looked like he had seen a ghost. “I have no idea, but it’s coming from—”

With a deafening crack, four dark spheres shot out from underneath the bed and slammed into the corners of the room. Abigail watched, petrified, as the spheres oozed apart, spreading to cover the walls in a thick layer of disgusting sludge.

“You’re seeing this, right?” she said, voice trembling.

Harris nodded slowly, and Miss Biscuits started howling.

The ghastly sound reached a new ear-piercing level as the sludge began crackling with unstable amethyst purple energy.

“We need to get out of here!” Abigail shouted. She dashed for the window, but the light glittering across its surface flared violently in response, and she recoiled, backing away slowly.

The shriek was becoming unbearable. Abigail could hardly hear herself think, let alone process what was happening.

“This way!” shouted Harris as he lunged for the bedroom door, but the pulsing glow surrounding the handle suddenly sparked, jumping eagerly to his outstretched hand.

Amethyst purple light rippled through Harris’s entire body, shining beneath his skin. Abigail watched in horror as an unnatural smile slowly twisted across his face.

“Harris?” she said cautiously.

Harris’s head swiveled toward Abigail and his morbid grin twisted into fear. The amethyst purple light erupted out of his skin, contorting him backwards into a jagged arch. His body was suddenly blasted onto the ceiling, held there for a moment by an invisible force before dropping sharply to the ground, the impact kicking up a cloud of dust from the hardwood.

“Harris!” Abigail screamed, rushing to his motionless body. This was a nightmare. Everywhere she looked the amethyst purple light was encroaching—over the ceiling, across the walls, and covering the floor, inching right for them. Abigail scrambled to grab Harris under his arms and used every ounce of her strength to drag him onto the bed, only just avoiding the energy as it engulfed the remainder of the room’s surfaces.

“Harris, wake up!” she shouted as she checked for a pulse.

“Abby!?” came a muffled cry.

She strained to see Taylor pounding outside the window, an uncharacteristically horrified expression on his face through the amethyst-colored glare. He took a step back and then charged, but the barrier flared the moment his shoulder made contact, and he was repelled away in a shower of shattered glass.

Abigail’s eyes darted around the room, her fear mounting as the shrieking hit yet another plateau. Blood pounded in her ears. “Harris, wake up. Please wake up!” she pleaded, her voice barely audible over the howling of Miss Biscuits and everything else.

The sludgy spheres had re-formed in the corners of the ceiling and they were pulsing erratically. They seemed to be the source of whatever was happening—what was happening?!—perhaps they could be shut down somehow… But how? Abigail grabbed Harris’s hand, hopelessly begging him to wake up, and her fingers made contact with a ripple of raised skin—the scar.

Abigail’s gaze snapped to the samurai sword hanging on the wall. Scrambling to her feet, she ripped it from its mount and unsheathed it. The gleaming blade appeared as sharp as it had all those years ago.

“Abby! Abby! What are you doing?!” Taylor’s voice cut through the chaos. He was back on his feet just outside the shattered window. He was holding up a small metallic object that Abigail couldn’t quite make out through the amethyst refraction. She didn’t have time for this. The high-pitched shriek was growing more and more deafening, the amethyst-colored light burning ever more severely. Instinctively, she knew it was now or never. She had to disrupt whatever was happening.

She frantically scanned the spheres, her entire body shaking. Though she had no clue this would work, the one in the corner by the door seemed like her best shot. “You can do this,” she said to herself, but she didn’t remotely believe it. Gathering all her strength, she sprinted towards the edge of the bed, leaping into the air with the hilt held firmly in her grasp. With a loud clang, the sword sliced through the sphere, miraculously penetrating the energy barrier and lodging in the wall.

As gravity pulled Abigail toward the floor, time seemed to slow, and she watched the damaged sphere start to skitter in and out of reality, spewing sparks in all directions like it was about to explode. The blinding amethyst light and eardrum-bursting shriek reached their crescendos just before Abigail hit the ground.

She felt a surge of pure agony, and then, there was nothing.

Author Bio:

J.S. Ash has spent over a decade working in media at one of the largest tech companies in the world, though his true love remains storytelling. His creative DNA was forged in the 90s—a blend of blockbuster action cinema, console gaming, and the high-stakes melodrama of the era’s teen soaps. He lives with his wife and daughter, who serve as the primary inspiration for the resilient, protective heroines at the heart of his stories.

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Posted in #SciFi

Tek Secret (The TekWar Series Book 5)

While searching for a missing heiress, Jake Cardigan uncovers a stunning conspiracy in the action-filled conclusion to the TekWar series
Barry Zangerly’s friends told him to stay away from Alicia Bower. The heir to the Mechanix International robotics fortune, she is beautiful, unstable, and too charming to resist. When she vanishes, Zangerly combs Greater Los Angeles for his damaged beauty, a hunt that finally leads him to an abandoned warehouse, where a vicious robot beats him senseless to get him to call off his search. Instead, Zangerly does the opposite—he calls Jake Cardigan.
 
The sharpest P.I. in the city, Cardigan is fighting to recover from the death of his fiancée. He couldn’t save Beth Kittredge from the Teklords’ bomb, but he will stop at nothing to see that Alicia Bower doesn’t suffer the same fate.
This ebook features an illustrated biography of William Shatner including rare images and never-before-seen documents from the author’s personal collection.

Editorial Reviews

From Library Journal

In the fifth installment of this popular sf detective series, private investigator Jake Cardigan again takes on the notorious Tek drug lords in his attempt to rescue a kidnapping victim. A TV movie based on the series should increase demand.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews

Fifth in the series (Tek Vengeance, 1992, etc.) featuring private detective Jake Cardigan and his sidekick Sid Gomez. Here, Alicia Bower, daughter of the world’s wealthiest robotics industrialist, has disappeared. Jake and Sid, aided by Jake’s son Dan and Dan’s girlfriend Molly, track Alicia to the Mentor Psych Center, where Dr. Isaac Spearman shrinks heads in unpleasant ways- -in this case, obliging Alicia to forget that she overheard details of a conspiracy involving a US government agency, the ubiquitous Teklords, and killer robots built by her father. It’s all very cozy and familiar by now, as Shatner endeavors to turn Trekkies into Tekkies. The Tek telemovie reportedly in the works should help, too. — Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Review

“As tough and scrappy as Captain Kirk!” —The Wall Street Journal

About the Author

William Shatner (b. 1931) is a Canadian actor, author, and film director, known for his irreverent charm and his star turn as Captain Kirk in the original Star Trek television series, as well as many other roles. Born and raised in Montreal, Quebec, Shatner was cast in Star Trek as the courageous, unpredictable Captain James T. Kirk in 1966. The show became a cult hit in syndication, leading to a number of spin-offs and movies. Shatner starred in seven Star Trek films beginning with Star Trek: The Motion Picture in 1979. He later played leading roles on the television series T.J. Hooker (1982–86) and Boston Legal (2004–08). Shatner has also published a number of novels, most notably TekWar (1989), a science-fiction thriller that inspired eight sequels as well as video games and a television series. When he isn’t working, Shatner and his wife, Elizabeth, divide their time between Southern California and Kentucky. 

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Tek Vengeance (The TekWar Series Book 4)

With his fiancée about to testify against the Teklord drug cartels, PI Jack Cardigan is lured to Brazil in a deadly scheme that could spark a new TekWar.
 
A man in Berlin has just learned something that could save Jake Cardigan’s life. But before he can pass on this vital information, he dies under suspicious circumstances—setting off a chain reaction that will change Cardigan’s life forever, threatening to destroy every person he loves.
 
Cardigan’s fiancée, Beth, goes to Berlin to testify against the ruthless drug cartel controlled by Sonny Hokori and the Teklords. Cardigan plans to be there to protect her against the nefarious assassins of the Teklords, but an urgent case calls him to Rio. By the time he realizes the Brazilian case is no more than a set-up to take him away from Beth, it may be too late to save her—and prevent a new round of TekWars from engulfing the earth.
 
This ebook features an illustrated biography of William Shatner including rare images and never-before-seen documents from the author’s personal collection.


Editorial Reviews

From Library Journal

The fourth outing for 21st-century private investigators Jake Cardigan and Sid Gomez strands the duo in Brazil as disaster strikes in Berlin. Shatner’s snappy pacing improves with every story, but his villainous drug lords are beginning to wear thin. Purchase this title where the series is popular or where there is patron demand. Previewed in Prepub Alert, LJ 9/1/92.
Copyright 1992 Reed Business Information, Inc.

Review

“The best since the series began.” —Kirkus Reviews “Shatner’s snappy pacing improves with every story.” —Library Journal

About the Author

William Shatner (b. 1931) is a Canadian actor, author, and film director, known for his irreverent charm and his star turn as Captain Kirk in the original Star Trek television series, as well as many other roles. Born and raised in Montreal, Quebec, Shatner was cast in Star Trek as the courageous, unpredictable Captain James T. Kirk in 1966. The show became a cult hit in syndication, leading to a number of spin-offs and movies. Shatner starred in seven Star Trek films beginning with Star Trek: The Motion Picture in 1979. He later played leading roles on the television series T.J. Hooker (1982–86) and Boston Legal (2004–08). Shatner has also published a number of novels, most notably TekWar (1989), a science-fiction thriller that inspired eight sequels as well as video games and a television series. When he isn’t working, Shatner and his wife, Elizabeth, divide their time between Southern California and Kentucky. 

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The Golden Sword



Estri battles to regain her identity after being denied her memories by her captor.

Will love find a way?


The Golden Sword

The Silistra Quartet Book 2

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Biology shapes reality. The further adventures of the most beautiful courtesan in the galaxies of tomorrow.

She had the power to create planets. The sixty carved bones of the Yris-tera foretold her ancient fate. Her heritage of power took her beyond time and space and stole from her the one man she loved.

Enslaved on the planet Silistra tomorrow’s most beautiful courtesan unleashes the powers of the gods.

 

What readers are saying:

 

Pure excellence…. A heroic quest of the highest calibre.” – Goodreads

 

“This is a book which makes one’s blood sing and one’s mind ponder. I loved the first in the series and enjoyed this as much, perhaps more. The ending leaves the reader desperate to know what happens to Estri next – courtesan, slave, warrior, lover, rebel. What is next for our heroine?” – Goodreads

 

“Call it what you like: science fiction, space opera, sword and planet or erotic fantasy . . . The Golden Sword is all these things, and so much more. A highly intelligent and sensual novel filled with ideas and revelations, this is a gripping story that explores human sexuality and the role it plays in politics. Although the memorable characters are bisexual, toss away all your preconceived notions, for there is a humanity, a strength of will and determination, a realism and depth of emotion to these characters that will have you thinking twice about all you know and all you think you know. This is a book for mature and discerning readers who like some meat on the bones of the books they read. Janet Morris led the way for all the science fiction authors, both male and female, who came after. “ – Joe Bonadonna, Goodreads

 

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I wondered what it meant, to be a “ten,” as the crellkeep chose a spot apparently like any other upon one chain and fastened me to it by means of heavy metal anklets that were spaced along its length.

“I put you next to Aje. You will sleep through the nights,” he informed me, as if I should be grateful for some thoughtful service. Seeing me safely bound, the two jiasks turned and left the chamber.

“What is your name?” the crellkeep asked.

I almost told him, but caught myself. It took me a moment to remember the crell name Chayin had given me.

“Miheja,” I said finally.

“Meh-he-ya,” the crellkeep corrected me gently. “The Eastmost Star’s Daughter. Suits you. So you have the dharener entranced, do you? A ten, indeed. Crell life is no burden to one so highly numbered.” He stood up, rubbing his back, “I go to get Aje. You will like him. They all do,” he said and patted my naked shoulder. Moments later I was alone in the deserted ever-dusk of the crellpits. A single torch burned at the chamber’s entry, throwing life into the feature- less rock walls.

I crawled the length of my tether, and by lying stretched out could just get my fingers upon the central ring. I tested its strength, as had countless crells before me. There was no weakness in it. I had expected none. I then examined each link of my chains with my fingers, to see if perhaps somewhere there was one unsoldered among them. There was no error among the 387 links that bound me firmly to the central ring. Its twin was sunk where the cold stone floor met the wall behind me. Perhaps there was a weakness in that area, but I had not enough tether to explore it. I lay down upon my left side and curled my knees against my chest. I could not think. I merely lay there.




High Couch of Silistra

The Silistra Quartet Book 1



Biology shapes reality…

One woman’s mythic search for self-realization in a distant tomorrow…

Her sensuality was at the core of her world, her quest beyond the civilized stars.

Aristocrat. Outcast. Picara. Slave. Ruler.



“Engrossing characters in a marvelous adventure.” – Charles N. Brown, Locus Magazine



“The amazing and erotic adventures of the most beautiful courtesan in tomorrow’s universe” – Frederik Pohl



“The best single example of prostitution used in fantasy is Janet Morris’ Silistra series… Estri’s character is most like that of Ishtar who describes herself as “‘a prostitute compassionate am I'” because she “symbolizes the creative submission to the demands of instinct, to the chaos of nature …the free woman, as opposed to the domesticated woman”. Linking Estri with these lunar and water symbols is not difficult because of the moon’s eternal virginity (the strength of integrity) links with her changeability (the prostitute’s switching of lovers). […]

Morris strengthens the moon imagery by having Estri as a well-keepress because wells, fountains, and the moon as the orb which controls water have long been associated with fertility, […] In a sense, she is like the moon because she is apparently eternal, never waxing or waning except in her pursuit of the quest; she is the prototypical wanderer like the moon and Ishtar. She is the eternal night symbol of the moon in opposition to the Day-Keepers […]

 At her majority (her three hundredth birthday), she is given a silver-cubed hologram letter from her mother, containing a videotape of her conception by the savage bronzed barbarian god from another world. […] If Estri’s mother then acts as a bawd, willing her lineage as Well-Keepress to her daughter, then Estri’s great-grandmother Astria as foundress of the Well becomes a further mother-bawd figure when she offers her prophetic advice in her letter: “Guard Astria for you may lose it, and more. Beware of one who is not as he seems. Stray not in the port city of Baniev …look well about you, for your father’s daughter’s brother seeks you”. Having no brother that she knows of does not stay Estri from undertaking the heroic quest of finding her father.”

 – Anne K. Kaler, The Picara: From Hera to Fantasy Heroine

 

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I am Estri Hadrath diet Estrazi, former Well-Keepress of Astria on the planet Silistra. I have begun three times to tell this story, and three times I have been interrupted. This, then, the fourth attempt, will surely prove successful.

Perhaps you have heard of Silistra, the planet that was catalyst to the sexual revolution in the year twenty-two thousand, seven hundred and four Bipedal Federate Standard Time, or of the Silistran serums that lengthen life and restore vitality in virtually any bipedal life form, or perhaps you have at some time contracted the services of a Silistran telepath, or a precognitive, or a deep reader. It is possible that you have in your own home the scintillating, indestructible web-cloth woven by our domestic arachnids, or have seen holograms of our golachits, those intelligent builder-beetles who exude from their mouths a translucent, superhard substance called gol and create from this gol, under the guidance of the chit-guards, the formidable and resplendent structures in which we live and work.

And perhaps you have seen no web-cloth, no gol, never been ill, and are not interested in sex. If so, you may never have heard of Silistra.

I carry Silistra in my mind’s eye, here under this alien sun. In my mind alone can I look out the east window of my beloved exercise hall in Well Astria and see the sun’s rising burst upon the jewel-like towers and keeps of the Inner Well and a thousand rainbows arc and dance in the greening sky.




Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author’s Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: ‘People often ask what book to read first. I recommend “I, the Sun” if you like ancient history; “The Sacred Band,” a novel, if you like heroic fantasy; “Lawyers in Hell” if you like historical fantasy set in hell; “Outpassage” if you like hard science fiction; “High Couch of Silistra” if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author’s Cut editions, which I revised and expanded.’

  

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