Posted in #BookTours

Thirty Grains of Love

Thirty Grains of Love
Anette Rosen
Publication date: August 26th 2026
Genres: Adult, Contemporary, Thriller, Women’s Fiction

What if the life you fight to save is the life that keeps you from becoming free?

It is 2001, and renowned artist Isabella unveils a triumphant solo exhibition at Boston’s prestigious modern art gallery. While critics have hailed her talent for creating spectacular color-saturated canvases, her career, marriage, and finances are crumbling.

Determined to save her family’s historical house by the sea as well as her psychiatrist husband’s reputation during his court trial in Europe, Isabella must somehow care for her daughter without a steady income. After she demands that her former lover, Angel, support her passion project, Isabella promises him one night in return. Restoring the house and obtaining financing are both part of the project. This depends on tracking down her missing best friend, Nina, whom she had put forward to a wealthy sponsor for adapting his memoir into a novel.

Now trapped in a love triangle and a deepening financial crisis, Isabella must find a way forward as the conflict between love, legacy, and survival compels her to question her deepest beliefs while her reputation hangs in the balance.

Thirty Grains of Love is the tale of long-time friends who must piece together their broken personal lives while pursuing their dreams, defining their identities, and experiencing authentic love for the very first time. Set against the backdrop of history and generational echoes of secrecy and social limitations, it explores the route to happiness and its price across four marriage models—trad wife, double career, open relationship, and unequal income.

An uplifting story with a dual timeline showing that the hardest yet most rewarding decision in midlife is to embrace one’s true self.

Goodreads / Amazon / Barnes & Noble / Kobo

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EXCERPT:

ISABELLA

The Exhibition

Boston 2001

Here I am on another continent, living my dream—a dream I had forgotten and now need to save. Beau Isabella conquered the art world—only to lose everything she ever had. What a deal. And what a mess. Me, as usual, but this time it’s for real.

People are gathering outside the exhibit at NAGA, Boston’s prestigious modern art gallery, welcoming the snowflakes on their faces and eager to get in. Above the entrance hangs a banner adorned with vibrant, shimmering purple letters: ISABELLA. I picture the stars skating far above, poised to illuminate the city in pristine white once the clouds clear.

I wish I fit in here. I wish I were free.

My first exhibition in North America. Pressure, a heavy weight, mingles with pride. TV reporters speaking at the entrance about explosions of color, enchanted faces, and innovative art. Behind them, a poster depicts my auburn hair and pale shoulders as I turn around in a sweeping movement. The New York Times featured an extensive review last week, and I keep rereading my favorite part:

It is hard to believe that Boston discovered this incredible talent first. Visitors say they haven’t experienced colors like this since the Impressionist era. Isabella’s compositions spark countless interpretations; the public and the critics have fallen in love with her.

I hope I can keep the palette bright if Nina is still missing. I need her for my project, and I need her as a friend. She always finds the right words. And then Lucy’s school bills arrive, as punctual as a Japanese train. How could Chris be so sure we can afford it all?

Yesterday was different. I stood near the gallery entrance in my burgundy evening dress, trying to appear both graceful and casual amid the camera flashes—I’m not ready for celebrity just yet. My gallery partner, Alicia, took me aside to meet another journalist.

Meanwhile, I handled the press questions with ease. They’ve become routine, even on television. I only make them put on more rouge to hide how pale my skin is from no sleep and daily exhaustion. Some journalists worship me and submit to my presence just to serve the public—even if they haven’t seen my work. Others are looking for a juicy detail that might make me more intriguing, trying to chip away at my “art goddess” halo.

Still, this time, a humble man from a local magazine, at first distracted and absorbed in his notes, brought me out of my shell with his last question:

“How has your talent remained, even after you ignored it for decades? Is there someone in the family from whom you inherited this gift?”

I took a deep breath. The walls started moving, like each time I tried to approach the tripod hiding in a corner at home. We had long sacrificed the atelier. Feeling miserable for not having painted in years, I didn’t need a gray-suited journalist to remind me of that. I’m thirty-eight, not retired. And it’s a question I never answer in public. So, despite the subtle provocation, I responded with a smile.

“It’s not as if I completely ignored it—books with my illustrations flew off the shelves like hotcakes. I enjoy children’s books the most because they encourage kids to give wings to their imagination before they can read longer texts. The most important thing in life is to touch someone with what you do. If you give somebody a lesson, valuable advice, a beautiful song, or a new life, then you’ve been present in this world.” I shook my head, letting my earrings swing, to give him a sign that the interview was over.

After that, I enjoyed the peacefulness of my natural surroundings—an exhibition hall filled with paintings and new ideas. I knew I had one last chance to preserve it all, but it felt good not to think about reality for a while. After all, Nina must still be alive—she left of her own free will—and for the time being, I somehow serve my debt and Chris’ lawyers’ bills. If only he could silence the media… What was his psychiatrist’s training for? He employed the wrong assistant, and now she is destroying his reputation.

However, you need a free heart to create, so instead of diving into accounting, I keep dreaming of restoring the seaside villa. An art object, it would be my perfect retreat.

It was a pleasant surprise when the next visitor entered the room. Maybe he could contribute to achieving my dream. Angel’s height and wavy dark hair seized everyone’s attention. He surveyed the space like a panther, searching for a suitable place to start. I bounded over to him.

Author Bio:

Anette has been writing stories since she could hold a pencil, short after she turned four. What started as an intrinsic love for storytelling has turned into a lifelong passion, only to be subdued for a while by a professional career and the care she took of her two wonderful daughters. There’s nothing Anette likes better than writing (and reading) stories that are both inspiring and humorous, with a touch of romance and a heartwarming streak of truth running through them. Anette is a passionate traveller and a big dreamer who never gives up on anything. When she’s not writing or inventing new stories, you can find her among her friends or in her maisonette in Frankfurt, Germany, watching masterpiece movies or a tennis match with a glass of wine and her fluffy cat, Lia, beside her. Anette has a master’s degree in English and American literature and a PhD in Linguistics. Having worked as a freelance translator and a project manager, her favourite job has been that of a Tour Director, leading North American groups on educational tours throughout Europe. Anette’s stories have found their home in online and printed magazines. Her novella “The Sea Moves On” was published in October 2022 in Sofia to receive a hearty welcome from its readers. Currently, the novel “Thirty Grains of Love” is short before publication.

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Posted in #Anthology

São Paulo Noir (Akashic Noir)

This anthology of noir fiction set in São Paulo, Brazil, “might be the strongest entry yet in the long-running and globe-spanning Akashic Noir series” (San Francisco Book Review).

Once known as the Land of Mist, São Paulo is now a dense, diverse, and globalized metropolis. It is the most populous city in the Americas, the Portuguese-speaking world, and the southern hemisphere—with some of the worst traffic on the planet. From its gleaming skyscrapers to its historic downtown and its rough, drug-infested outskirts, this unique anthology explores a truly unique city with “a timely feel, giving noir a host of feminine faces” (Kirkus).São Paulo Noir includes fourteen brand-new stories by Tony Bellotto, Olivia Maia, Marcelino Freire, Beatriz Bracher & Maria S. Carvalhosa, Fernando Bonassi, Marcelo Rubens Paiva, Marçal Aquino, Jô Soares, Mario Prata, Ferréz, Vanessa Barbara, Ilana Casoy, and Drauzio Varella.

Editorial Reviews

Review

“Bellotto has no trouble discovering dark doings . . . São Paulo’s size and diversity give this volume’s 14 storytellers room to roam . . . In the year of , Bellotto’s Akashic entry has a timely feel, giving noir a host of feminine faces.”
― Kirkus Reviews

“In the latest entry to this globetrotting series, a man goes for a tarot reading and winds up poisoned by the daughter he never knew he had. And that’s just one story in a collection that takes us down the mysterious alleys and mazy favelas of Rio, just in time for the Olympic Games.
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― O, the Oprah Magazine

About the Author

Tony Bellotto was born in São Paulo in 1960 and has lived in Rio de Janeiro for over twenty years. Guitarist and songwriter for the Titãs (Titans), one of the most important rock bands in Brazilian musical history, Tony’s literary debut was the novel Bellini e a esfinge in 1955. Since 1999, he has hosted Afinando a língua, a television program focused on literature and music.

Posted in #Anthology

Prague Noir (Akashic Noir)

This “varied and polished” anthology of original noir fiction introduces a new wave of Czech authors to English-speaking audiences (Publishers Weekly).

It can be difficult to imagine noir fiction emerging in a city like Prague, where the profession of private detective didn’t even exist prior to 1990. Before the Velvet Revolution, the only serious criminal organization was the secret police. Yet, with its complex and often tragic history, the home of Franz Kafka and Milan Kundera offers a uniquely rich setting for stories of menace, danger, and secrecy; tales of individuals driven to break the law in the face of a desperate situation. In this “superior entry in Akashic’s noir series,” fourteen contemporary Czech authors introduce themselves—and their world—to an international audience (Publishers Weekly).Prague Noir includes brand-new stories by Martin Goffa, Štěpán Kopřiva, Miloš Urban, Jiří W. Procházka, Chaim Cigan, Ondřej Neff, Petr Stančík, Kateřina Tučková, Markéta Pilátová, Michal Sýkora, Michaela Klevisová, Petra Soukupová, Irena Hejdová, and Petr Šabach.

Editorial Reviews

Review

“The collection includes some of the biggest names in Czech contemporary fiction and is full of surprises, offering us a Prague that lurches deliciously from the magical to the seedy, from a misty past to a hi-tech future.”
― Radio Praha in English, from an interview with editor Pavel Mandys

“Murder and mayhem erupt, even in fairy-tale Prague. Editor Mandys maintains that it may be hard to imagine dark doings taking place virtually in the shadow of Prague Castle, yet he manages to harvest 14 artful tales that speak directly to the contrary. Although there are few standard whodunits, Prague’s long history provides fertile ground for evildoers . . . Perhaps nowhere but Prague do vice and enchantment live at such close quarters, and Mandys’ collection captures both beautifully. A lovely addition to Akashic’s venerable series.”
― Kirkus Reviews

“The 14 crime stories set in Prague in this superior entry in Akashic’s noir series offer armored car robbery, kidnapping, murder masked as suicide, and more―not bad for a burg that, as the editor notes in his intro, didn’t even have ‘the profession of private detective’ until 1990 . . . In the varied and polished content of this volume, readers will find much to amuse.”
― Publishers Weekly

“The stories are strong and have heart. They don’t mince words or try to make themselves look better. This is the Czech Republic as it is.”
― Journey of a Bookseller

About the Author

Pavel Mandys is a Czech journalist, book critic, and organizer of the annual Czech book award Magnesia Litera. He is the author of Prague: City of Literature and currently lives in the Prague neighborhood of Smichov.

Posted in #Anthology

Atlanta Noir (Akashic Noir)

This much-anticipated and long-overdue installment in Akashic’s Noir Series reveals many sides of Atlanta only known to its residents.

“Atlanta has its share, maybe more than its share, of prosperity. But wealth is no safeguard against peril . . . Creepy as well as dark, grim in outlook . . . Hints of the supernatural may make these tales . . . appealing to lovers of ghost stories.” —Kirkus Reviews

Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. This much-anticipated and long-overdue installment in Akashic’s Noir Series reveals many sides of Atlanta known only to its residents.

Brand-new stories by: Tananarive Due, Kenji Jasper, Tayari Jones, Dallas Hudgens, Jim Grimsley, Brandon Massey, Jennifer Harlow, Sheri Joseph, Alesia Parker, Gillian Royes, Anthony Grooms, John Holman, Daniel Black, and David James Poissant.

From the introduction by Tayari Jones:

Atlanta itself is a crime scene. After all, Georgia was founded as a de facto penal colony and in 1864, Sherman burned the city to the ground. We might argue about whether the arson was the crime or the response to the crime, but this is indisputable: Atlanta is a city sewn from the ashes and everything that grows here is at once fertilized and corrupted by the past . . .

These stories do not necessarily conform to the traditional expectations of noir . . . However, they all share the quality of exposing the rot underneath the scent of magnolia and pine. Noir, in my opinion, is more a question of tone than content. The moral universe of the story is as significant as the physical space. Noir is a realm where the good guys seldom win; perhaps they hardly exist at all. Few bad deeds go unrewarded, and good intentions are not the road to hell, but are hell itself . . . Welcome to Atlanta Noir. Come sit on the veranda, or the terrace of a high-rise condo. Pour yourself a glass of sweet tea, and fortify it with a slug of bourbon. Put your feet up. Enjoy these stories, and watch your back.


Editorial Reviews

Review

“The stories in Atlanta Noir are connected, as Jones suggests in her introduction . . . In particular, the ‘rot’ these narratives expose are specifically Atlanta versions of gentrification, the suburbs, traffic, and inequality. At their best, the stories reveal and complicate a post–civil rights, but far from post-racial, Atlanta . . . This collection is noteworthy in terms of its multiple contemporary literary representations of our city, particularly considering the general lack of them otherwise.”
― Atlanta Studies

“These stories, most of them by relative unknowns, offer plenty of human interest . . . All the tales have a Southern feel.”
― Publishers Weekly

“Now comes Atlanta Noir, an anthology that masterfully blends a chorus of voices, both familiar and new, from every corner of Atlanta . . . The magic of Atlanta Noir is readily apparent, starting with the introduction Jones pens. It doesn’t rest solely upon the breadth of writers but on how their words, stories and references are so Atlanta―so very particular, so very familiar and so very readily, for those who know the city, nostalgic. And for those who don’t? The sense of place it captures inspires a desire to get to know Atlanta and its stories.”
― ArtsATL

“Atlanta is one of America’s most dynamic and fastest growing cities, with an increasingly diverse population. This volume honors the city’s transformation―albeit in a chilling manner―with a highly talented crew of 14 respected contributors who know the city inside and out, from its souls to its heart . . . Once again, Akashic shows us why it is king of noir and especially anthologies with such high-quality writers and storytellers. We’ve waited long for this beautiful collection of all things dark and murderous, but the wait was well worth it. Atlanta Noir could well turn out to be Akashic’s best work to date.”
― New York Journal of Books

About the Author

TAYARI JONES was born and raised in southwest Atlanta. A graduate of Spelman College, she is the author of four novels, including Silver Sparrow, an NEA Big Read selection, and An American Marriage, which was an Oprah Book Club Selection. She is the editor of Atlanta Noir.

Posted in #Anthology

San Juan Noir (Akashic Noir)

Puerto Rico’s capital city enters the Noir Series arena, meticulously edited by one of San Juan’s best-known authors.

“A welcomed addition to the publisher’s popular noir series, San Juan Noir has the distinction of being issued in two editions, English and Spanish, to more accurately reflect the Caribbean island’s bilingual culture. Editor Santos-Febres gathers a varied collection of stories she expects will ‘reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconception.'” —NBC News Latino

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Wilfredo J. Burgos Matos, Ernesto Quiñonez, Mayra Santos-Febres, José Rabelo, Luis Negrón, Yolanda Arroyo Pizarro, Ana María Fuster Lavín, Janette Becerra, Manolo Núñez Negrón, Tere Dávila, Edmaris Carazo, Alejandro Álvarez Nieves, Charlie Vázquez, and Manuel A. Meléndez. Translated by Will Vanderhyden.

From the introduction by Mayra Santos-Febres:

“Puerto Rico is often portrayed as sandy beaches, casinos, luxury hotels, relaxation, and never-ending pleasure—a place that satisfies all senses and appetites.

Yet the city of San Juan is much more than that. The capital of the Commonwealth of Puerto Rico is the oldest Spanish settlement in all the territories and colonies of the United States. Since Puerto Rico is economically dependent on the US, the financial downturn of 2008 hit us hard. Many Puerto Ricans have left the island, looking for a better life. Crime has risen and the black market has thrived. As in many crises, art, music, and literature have also flourished. Never before has there been so much literary production. We have responded to our crisis with many stories to tell. And, especially in these times, many of those stories are noir . . .

I hope these stories spark your imagination, and reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconceptions. Maybe it will also pique your curiosity, and you will come visit our ‘pearl of the Caribbean.'”


Editorial Reviews

Review

“The stories within San Juan Noir stare right into the face of colonialism as they examine the gaps between the city’s rich and its poor, its residents and its constant flow of tourists, its colorful exterior and its gritty underbelly. This is noir with a bite, noir that enthralls with its dark tales even as it challenges the reader―do better, do better, do better.”
― Literary Hub

“San Juan Noir is a brilliantly polished literary gem that showcases life on the fringes of society. Every tale glows in its own darkness, piercingly tugging at the remnants of human decency. We must do better, it screams. Yes, we must. Highly recommended.”
― Jamaica Gleaner

“Santos-Febres and 13 other contributors of Puerto Rican heritage take full advantage of San Juan’s wide range of disparities between rich and poor, weak and powerful, tourists and residents, in this fine addition to Akashic’s noir anthology series.”
― Publishers Weekly

About the Author

MAYRA SANTOS-FEBRES has published more than twenty-five books of poetry, short stories, essay collections, and novels. Among her most import titles are Sirena Selena (2000), Our Lady of the Night (2006), and La amante de Gardel (2015). Her works have been translated into Croatian, Icelandic, French, Italian, German, and English. She currently teaches creative writing at the University of Puerto Rico, and is one of the main organizers of Festival de la Palabra. She is the editor of San Juan Noir (also available in Spanish).